 Double Bass - Classical (BA, MA)
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- Double Bass - Classical (BA, MA)
- Accordion (BA)
- Bassoon (BA, MA)
- Cello (BA, MA)
- Cimbalom - Classical (BA)
- Clarinet (BA, MA)
- Flute (BA, MA)
- French Horn (BA, MA)
- Guitar - Classical (BA, MA)
- Harp (BA, MA)
- Harpsichord (BA, MA)
- Oboe (BA, MA)
- Organ (BA, MA)
- Percussion - Classical (BA, MA)
- Piano - Classical (BA, MA)
- Piano Accompaniment and Repetiteur Training (MA)
- Trombone - Classical (BA, MA)
- Trumpet - Classical (BA, MA)
- Tuba (BA, MA)
- Viola (BA, MA)
- Violin (BA, MA)
- Violoncello (BA, MA)
Bartók presented an austere, forbidding front to the world and even in those years, when he was still in his mid-forties, his reputation was daunting. Although he had received little official recognition and was widely regarded as a raving radical, we music students knew exactly how important he was, and we revered him. We were fully aware that there was an authentic genious teaching at our Academy. (Sir Georg Solti)
Multimedia gallery |
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Virtual tour
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Come and explore the wonderful Academy buildings, concert halls and the Liszt Museum |
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