Admission requirements for MA studies - Classical Percussion

Percussion

 

The candidate chooses one piece from each category and one piece of his/her choice.
 
Side drum - solo piece
The Noble Snare, volumes 1-4
 
Side drum - rudimental solo
One solo at the choice of the candidate
 
Timpani
Elliott Carter: Eight Pieces for Four Timpani: 2 / 6/ 7 - one movement from these three
Árpád Solti: Sonatina
 
Marimba
Paul Creston: Concertino
Gordon Stout: Rumble Strips
Sedimental Structures
Joseph Schwantner: Velocities
Leigh H. Stevens: Rhythmic Caprice
Andrew Thomas: Merlin
Eric Ewazen: Northern Lights
Keiko Abe: Variations on a Japanese Children's Song
 
Vibrafon
J.S.Bach:
      Sechs Sonaten für Violine und Klavier BWV 1014-1019
      Sechs Sonaten für Flöte und Klavier BWV 1030-1035
      (one slow and one fast movement from the sonata of the candidate’s choice)

Set-up
Xenakis: Rebonds A/B
Maki Ishii: Thirteen Drums
Morton Feldmann: King of Denmark
Frederic Rzewski: To the Earth
David Lang: Anvil Chorus
John Cage: One 4
Kevin Volans: She Who Sleeps with a Small Blanket
Kevin Volans: Asanga

Sight-reading

 

 

 

 

General Admission Requirements – MA

 

Written examination:


 Bass harmonisation: harmonisation of a bass line of cca. 10 notes, indication of the accords with figures.

 Analysis: formal analysis of the opening movement of a sonata from the stylistic circle of Haydn and Mozart piano

 sonatas.

 

 Exam in general music studies:


 a. Identification of 10 music pieces - possibly composer and title, but at least the epoch or style and identification or

     the genre.

b. Explanation and interpretation of 10 music terms, concepts, titles, etc.

 
In my view the justification of the idea of the Academy of Music is based alone on the hope that this institution will afford something really excellent. (Liszt to Ágoston Trefort)